In Sound & Fury, Sturgill Simpson doesn’t make music for you. He makes it despite you.
“Southern samurai glam rock” may sound like an excerpt from a lazy game of Mad Libs, but it’s the best description I could muster for Sound & Fury, the fourth studio album from Grammy winning artist Sturgill Simpson.
Once the heir apparent to the fiefdom Dave Cobb built for outlaw country revival, the main thread holding each of Sturgill’s albums together is how much they distance themselves from the last. None more so than Sound & Fury, which takes any trace of bluegrass twang and buries it under a heap of sleethy synth-rock riffs. Continue reading “Sturgill Simpson’s Sound & Fury Bucks Outlaw Revival” →