Four Fancy Boys Club writers- Matt Drufke, Brandon Andreasen, Michael Grace and Jake Drummond- each chose 16 songs from their first two years of high school that had a profound impact on them. From there, the March Music Madness bracket was born.
From now through Friday, we’ll reveal the songs that made the cut by region and doing our first round. You can vote at our Facebook or our Twitter or at the polls at the bottom of this page.
Four Fancy Boys Club writers- Matt Drufke, Brandon Andreasen, Michael Grace and Jake Drummond- each chose 16 songs from their first two years of high school that had a profound impact on them. From there, the March Music Madness bracket was born.
From now through Friday, we’ll reveal the songs that made the cut by region and doing our first round. You can vote at our Facebook or our Twitter or at the polls at the bottom of this page.
In 2020, Netflix expanded quite a bit on its reality/unscripted/competition TV original series, with the first hit series The Circle–a social media competition featuring people trapped in apartments talking to each other on a fake social media platform. Very quickly, the streaming giant then pumped out Love is Blind and Too Hot to Handle, two relationship shows that could not be more different from each other. During this time, it was the COVID-19 pandemic, so we were all stuck in doors and glued to whatever was on TV. And I sat down and watched it all. Then, one day, I realized something about Love is Blind: the stars of these shows aren’t the people, they’re the weird metallic glasses everyone drinks from.
Please, stay with me. We’re about to go on a journey together revolving around reality TV drinkware. Yes, I’m aware this is bizarre.
Four Fancy Boys Club writers- Matt Drufke, Brandon Andreasen, Michael Grace and Jake Drummond- each chose 16 songs from their first two years of high school that had a profound impact on them. From there, the March Music Madness bracket was born.
From now through Friday, we’ll reveal the songs that made the cut by region and doing our first round. You can vote at our Facebook or our Twitter or at the polls at the bottom of this page.
Four Fancy Boys Club writers- Matt Drufke, Brandon Andreasen, Michael Grace and Jake Drummond- each chose 16 songs from their first two years of high school that had a profound impact on them. From there, the March Music Madness bracket was born.
From now through Friday, we’ll reveal the songs that made the cut by region and doing our first round. You can vote at our Facebook or our Twitter or at the polls at the bottom of this page.
The idea started, as all great ideas do, while listening to Saliva.
I was driving down an Arizona highway about a couple weeks ago when Click, Click, Boom by Saliva came on a local radio station. My wife, horrified by the song, told me to turn it off. I said I couldn’t turn it off, because the truth is, I goddamn love Saliva. Or, at least, I did love Saliva. It is one of those bands that everyone has in their life. You forget they exist. Then you randomly hear their song and it takes you back to a time in your life that the song was a soundtrack for.
We then got to talking about the most transformative times in our lives for music. The music that left an indelible mark on us. What was the era that helped form our musical taste, social standing, and style? As we sit in our mid 30’s, closer to the grave than we care to see fit, we look back more wistfully on the times when life didn’t feel like it was crushing us into sand. When the possibilities of the future were endless, and not filled with veterinarian bills and increasingly hostile emails from Blue Apron in your inbox.
I confess. I have had quite the love affair with you Chipotle, and not from afar either. It’s been a passionate cornucopia of taste bud delightfulness from the first day I met you. But now, my heart is speaking here not my taste buds, we are on the verge of a divorce.
Even though you did come riding out on your burro burritos-ablazin’ in 1993 in Denver, it wasn’t until a fall day in Chicago in the year 2000 (or so, details are fuzzy when it comes to love) when I first encountered you. I was in awe of your selection, your speed and the quality of your fare. Frankly, without apologies, it was love at first bite.
You, however, were not my first love. Way back in the days when phones still had cords that were (unless your parents were rich) only 3 feet long so everyone within the confines of the kitchen knew who and what you were talking about I fell for the new fast-food kid on the block. I was a niño of seven, and these Americans pretending to be Mexicans were fresh, lovely and enticing.
Well maybe not so fresh but again, I was seven. Everything was fresh back then at Taco Bell. Yes, they were the first to hold me to their faux-Mexican bosom and feed me Mexican-Americanized delights. The first offering I tasted I loved – the Chili Burger which was soon changed to the Bellburger then soon after changed to the Bell Beefer. Yep. Taco Bell had a burger which was effectively a Mexicanish sloppy joe. Imagine if you will, Taco Bell’s basic ground beef liberally splashed with mild sauce, topped with cheese and squished between soft luscious buns. Loved it, but it went away. Was I crushed? A bit sad for certain but there were so many other delights on the Taco Bell menu board to try. Plus, at the time ALL of them (except for the Bellburger) had pronunciations next to them. I could get a “buh-ree-toh” or a “toh-stah-dah” or just a plain old “tah-coh.”
Look at that menu! No, ‘free-ho-lays’ were not free.
It was an affair that would last the better part of 45 years.
I am super-bummed out that Steven Spielberg’s The Fabelmans isn’t going to win any Oscars. Also, it made no money. It’s all super sad because this was the brilliant director’s look back at his childhood and how his parents helped shape the way he is. It’s a brilliant film (I had it as my #2 film of last year) and deserved a bigger audience and an Oscar for Michelle Williams had Universal put her in the supporting category as opposed to lead, which they did not.
It was a rough year for Steve all over in terms of his most personal movie.
However, The Fabelmans does have one thing no other film made last year can say. It has the best moment in all of 2022 cinema. It’s a moment that blew me away when I saw it, and I don’t know that a week has gone by since then when I haven’t thought about it. I’d like to share it with you. Maybe you haven’t seen the movie yet and this will change your mind. Maybe you did see it but glossed over it. Maybe you just liked Lyle Lyle Crocodile more. But nothing impacted me more in movies last year.
Best Animated Short. Editing. Costume Design. Original Score. These aren’t the sexy categories, but if you’re going to win you’re Oscars bracket, you’re going to have to take some of these down. Here’s where I think how some of (what some people consider) the “smaller awards” will pan out…