Robert F. Kennedy Jr.’s Path To The White House

Robert F. Kennedy Jr.’s Path To The White House

We are in a perilous time in our nation, and the upcoming November election is not going to make things any better. Between the two viable candidates, neither exactly presents hope for the next four years. What America needs right now, perhaps more than ever, is a candidate who is willing to not only disregard the partisan media, bloodythirsty lobbyists, and the greater demons of their own party and bring our country together in a spirit of compassion, compromise and unity. Neither President Biden nor former President Donald Trump come close to checking those boxes, and it’s gonna be rough living here for the considerable future.

“But Matt,” you might be saying, “you said there were only TWO viable candidates. What about this Robert Kennedy Jr. I’ve been hearing about on social media and some of my weirder friends? I’m sure you just forgot about him and now you are going to go back in real time and change your column because it’s only fair to include everyone with a realistic chance of becoming the next President of these great United States.” If this is you, I have a simple response: Shut up. You are wrong. RFK Jr. has no chance of becoming the next leader of the free world.

Well, that’s not exactly true. There is one path…

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Ren Faire Is Deliriously Stupid

They say that sometimes truth is weirder than fiction. Sometimes the truth is also dumb, brutally horny, and filled with wayyyyy too many Willie Wonka references. In the three part HBO Documentary, you get all of these things, along with a litany of other mind boggling, ostensibly true things.

The three part series follows aging pervert George, who owns the Texas Renaissance Festival. He knows exactly when he is going to die (according to him) and just wants to find love. He goes on several dates over the course of the show. Both women are 24 years old. George is 86. After the first date, the Festival owner muses that there is no point dating younger girls because they don’t read poetry and they don’t know how to bone. Then he goes on a date with another 24 year old. This, ostensibly, has nothing to do with the show. They just insisted on including it like a side quest in the show.

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Paddington In Peru: The Trailer Breakdown

Paddington In Peru: The Trailer Breakdown

Last week, we were lucky enough to get the trailer for Paddington In Peru, the third film in the PCU (Paddington Cinematic Universe). With a November 24th UK release date (January 7th for us unlucky souls in the United States), there hasn’t been a more anticipated movie ever. That is not hyperbole.

Paddington 2 is the third best sequel of all time, only behind The Godfather Part 2 and The Empire Strikes Back. As mentioned on this site, P2 usurped Citizen Kane to become the film with the highest-ever Rotten Tomatoes score of all time. With the first Paddington film, Paul King gave us an amazing and beautiful (plus very funny) story and the second film blows the first one away. To call Paddington 2 a great film would be an insult… it’s a goddamn fucking masterpiece.

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Joey Chestnut Is An American Hero, DAMNIT

Joey Chestnut Is An American Hero, DAMNIT

Travesty is a word. It’s somehow both a perfect word for this situation while simultaneously not feeling strong enough.

A better word is WHATINTHEUNHOLYHELLARETHEYTHINKING. Yes. One word. Screamed from the top of Mt. Rushmore while riding a Buffalo as a Bruce Springsteen song echoes through the Grand Canyon.

Joey Chestnut is the greatest hot dog eater of all time. 16 team world champion. 76 Hot Dogs in 2021. During Covid! Chestnut is to hot dog eating as Michael Jordan was to basketball, Taylor Swift is to mediocre music, and Elon Musk will always be at ruining things people like. But all of that is gone.

The Major League Eating association, a clown car of an organization that is ostensibly the driving force behind being a big ol’ fat boy competitively, has decided that AMERICAN HERO JOEY CHESTNUT is not allowed to compete in the Independence Day tradition of the Nathan’s Famous Hot Dog Eating Championship.

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A true actor’s director: A review of Hit Man plus a ranking of Richard Linklater

A true actor’s director: A review of Hit Man plus a ranking of Richard Linklater

Of the indie directors to come out of the 1990’s, Richard Linklater might be the hardest to attach a label to. He doesn’t have Steven Soderbergh’s visual style or Quentin Tarantino’s inventive storytelling skills or even Kevin Smith’s ability to write a great scene. But, if there was any director from this class I think I would like working with if I was an actor, it would be Linklater. Because the man is a true and selfless collaborator.

In his great movies, of which there are many, the Texas filmmaker works hand in hand with his onscreen talent to create the best possible product. In many of Linklater’s films, the actor has a screenwriting credit, which shows you exactly how much he wants the input of his talent. And then there is Boyhood, in which he worked with his three principal actors over the course of a dozen years to truly show the experience of growing up.

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The Drake/Kendrick Lamar Feud- UPDATE- Drake may be the dumbest person alive…

The Drake/Kendrick Lamar Feud- UPDATE- Drake may be the dumbest person alive…

Last night, after a full day of watching people respond to Kendrick Lamar’s allegations that he was a pedophile running a child trafficking ring out of his mansion, Aubrey Graham (better known to the world as Drake) finally responded. Look, I’ve never been in a feud with Kendrick Lamar. And I’ve never been accused of, by all accounts, the worst crime a person can be accused of. So I’m not going to pretend I have any idea what was running through Graham’s head as I sure he was doom-scrolling social media reading about himself.

His response came in the track “The Heart Part 6”, a reference to a series of songs Lamar has released. And as far as responses go…

It’s really stupid.


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Between The (Cringy) Gutter and the Stars: An Instant Reaction to the Tom Brady Roast

Between The (Cringy) Gutter and the Stars: An Instant Reaction to the Tom Brady Roast

Years ago, on a tribute to late comedian Greg Giraldo, Bob Saget spoke on how he felt when Giraldo was eviscerating him on stage. He talked about how he slunk into his chair, his shoulders sagging as Giraldo kept lobbing grenades over and over at him. I thought of Saget talking about this as I watched the life leave Tom Brady’s body during his Netflix roast on Sunday night.

Watching all the way through, you genuinely get the idea Brady thought the entire show was going to be him bro’ing it up with his football friends. He wasn’t ready for Jeff Ross to go after Robert Kraft and his massage parlor antics, which, judging by the rest of the sets, was on a very strict “DON’T TALK ABOUT THIS THING” list. He wasn’t ready for Nikki Glaser to pick up the crown that Giraldo left when he died as “best roast comic alive.” Lord knows he wasn’t ready for Tony Hinchcliffe.

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Kendrick Lamar vs. Drake: A (not-so) brief breakdown of music’s biggest story

Kendrick Lamar vs. Drake: A (not-so) brief breakdown of music’s biggest story

Unless you don’t care about popular music at all, you have certainly heard about the feud going on between rap stars Drake and Kendrick Lamar. When the new Taylor Swift album dropped last week, I didn’t think anything would be strong enough to knock the spotlight off of The Tortured Poets Department, but I was wrong and wrong in a big way. For the time being, there is no Tortured Poets, there are two poets out there trying to aggressively torture each other.

But, exactly what is going on?

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The Swiftening, Part 11: The Tortured Poets Department- The Uncomfortable Writers Depot

The Swiftening, Part 11: The Tortured Poets Department- The Uncomfortable Writers Depot

Before December of 2020, Jordan Holmes (comedian, author, podcaster) had never, intentionally, listened to a Taylor Swift song. Then began The Swiftening, where Jordan decided to review every Swift album in order. So far, he has covered Swift’s 2006 debut, 2008’s Fearless, 2010’s Speak Now, and 2012‘s Red, 2014’s 1989, 2017’s reputation, 2019’s Lover, and 2020’s folklore and evermore, which we encourage you to check out if you haven’t already.


Back again, as we all knew I would be, the allure of hating cannot be denied. I rarely finish what I begin, and I doubt I will follow her career, alleging talentless desperation after every release, but today, today is… today and I hate. 

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A Woman In-Between Eras: Examining The Tortured Poets Department

A Woman In-Between Eras: Examining The Tortured Poets Department

To open The Tortured Poets Department, her twelfth album (and fourth in five years), Taylor Swift gives us “Fortnight”. Swift and longtime producer Jack Antonoff give us a song that sonically feels in place with the catalog of Lana Del Rey (unsurprising, considering Antonoff also produces some of her music) as the thirty-four year old singer gives us the story of a woman dealing with a relationship gone way too wrong and delving into alcohol and thoughts of violence to her man’s new wife. “I loved you, it’s ruining my life,” Swift sings in a track that feels like something her and Antonoff could do in their sleep. It’s a good track, and Swiftboats (my term for Swift fans, many of whom have long since forgotten about John Kerry) will love it because it’s the kind of song they’ve heard and loved and sung along to before. It’s a very solid Taylor Swift song.

And that’s why it’s a little underwhelming.

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