Before December of 2020, Jordan Holmes (comedian, author, podcaster) had never, intentionally, listened to a Taylor Swift song. Then began The Swiftening, where Jordan decided to review every Swift album in order. So far, he has covered Swift’s 2006 debut, 2008’s Fearless, 2010’s Speak Now, and 2012‘s Red, 2014’s 1989, and 2017’s reputation which we encourage you to check out if you haven’t already.Continue reading “The Swiftening, Part 7: Lover (2019)… Almonds Are Forever”
Wrestling is fake. Everyone knows it. Whether you are a fan or not, you know that what you are watching is meant to be pre-scripted entertainment. Wrestling has been predetermined for over a century, dating back it’s it’s time on circus sideshows to entertain rubes. But the presentation of legitimate sport existed long beyond that, into the golden days of television, all the way through the rise of Hulk Hogan in the mid 80’s. All of that changed in 1989. Vince McMahon, long known as the king of the squared circle, the man who helmed a regional wrestling company from his father and turned it into the apex of the sport, is the one who killed it.Continue reading “WWE Is Out of the Wrestling Game”
Before December of 2020, Jordan Holmes (comedian, author, podcaster) had never, intentionally, listened to a Taylor Swift song. Then began The Swiftening, where Jordan decided to review every Swift album in order. So far, he has covered Swift’s 2006 debut, 2008’s Fearless, 2010’s Speak Now, and 2012‘s Red, which we encourage you to check out if you haven’t already.Continue reading “The Swiftening, Part 5: 1989 (2014)… “Fast Five” sounds like a handjob”
Until very recently, Jordan Holmes had never, intentionally, listened to a Taylor Swift song in his life. Then he began The Swiftening, in which he promised to listen to every Taylor Swift album in its entirety. Parts 1-3 of The Swiftening gave us Jordan’s thoughts on her 2006 self-titled album, 2008’s Fearless, and 2010’s Speak Now.
Red is Taylor Swift’s 4th studio album and I knew from the beginning this is where things would get tricky.
Red was the album most referenced to me as music to look forward to. The album means a lot, or some at least, to a lot of, or some at least, people. “Tread lightly – at your peril” was the tone.
Abandon hope all ‘Ye who enter here.Continue reading “The Swiftening, part 4: Rednarok [Red (2012)]”
Editors Note: Fancy Boys Club Co-Founder Brandon Andreasen has never watched The Bachelor before. His Mondays are normally reserved for Professional Wrestling, which he suspects is more real than The Bachelor. He is going to review and comment as he watches. Check back every Tuesday on Fancy Boys Club for Brandon’s thoughts on this new and scary endeavor.
Okay so wait. This is two hours long? No. No. No. No. I’m already ready to pull a Goose from Top Gun and eject from this. It’s gotta just be a first episode thing, right? I really don’t have to devote two hours EVERY week to this, do I?Continue reading “Brandon Watches The Bachelor: Episode One”
Raindrops on roses and whiskers on kittens,
I wrote some words and I think that I’m smitten,
Brown paper packages tied up with strings,
These words are a few of my favorite things.
Hey internet fans of Fancy Boys, here’s a recap of 2020 articles as written by… moi… with a few fun facts to know and tell about Julie Andrews.Continue reading “These are a Few of my Favorite Things”
Like an aimless teenager wandering the halls, I am often late, not to important things– like class– but to pop culture. For instance, I just started watching Brooklyn 99 and started a TikTok this past spring.
So, as you might expect, The Great British Baking Bake Off was one such pop culture phenomenon that alluded me, until now. I’ll be honest: I have no other way to tell you what Series I have seen without referencing Big Streaming Service’s “Collections”. I have completed the most updated episodes of the recent “Collection” and “Collections” 1 and 2, which I can only assume is not Season, I mean Series, 1 and 2 because the contestants seem to already understand the show’s format and its hosts and judges.
As a teacher, I found myself watching this show and being simultaneously entertained and recognizing that the show has value in what we can learn from it about teaching and learning.
So, if you are a teacher, a parent, or a school board member or know someone who is or was a teacher, parent, or school board member, on your marks, get set, READ!Continue reading “What Parents, School Boards, and Teachers Can Learn from The Great British Bake Off”
Fandom is a weird thing. It’s a cross between hopeless optimism and brutal fatalism, with a touch of immolation and joy sparkled in. It causes grown men to wear overpriced jerseys so they can look more like the players on the field. Vacations, road trips, weddings, and Bat Mitvahs are planned around it. Marriages have been lost and gained to it. People lived by it an people died by it. Fandom is as unexplainable as it is weird. It fills a void as much as it acts as a common demoninator between wide varieties of people across race, financial, and every other divide in the world.
But what forms do sports fandom take? I’m going to hone in on sports fandom because I don’t watch superhero movies. I saw the first Transformers movie and decided, “you know what, this is where i’m going to check out.” If you are reading this and shreiking “Transformers isn’t a super hero movie. How dare youuuu!” Yes, it is you fucking dork.Continue reading “The Five Stages of Sports Fandom”
Until recently, Jordan Holmes had never, intentionally, listened to a Taylor Swift song in his life. Then began The Swiftening, in which he decided to listen to every album of hers in chronological order and give his thoughts. You can read his thoughts on her 2006 self-titled debut, and her 2008 breakout Fearless by clicking on the links.
I swear to you, I hit play on “Mine” the first track from Taylor Swift’s 3rd studio album, two seconds later I hit pause and audibly sighed, said – out loud, to no one – “This is going to be tough.”Continue reading “The Swiftening, Part 3: Speak Now (2010)”