On the first week of 2003, music would change as we know it, and all it would take is a man to get shot nine times.Continue reading “A Bottle Full Of Bub: My Favorite Things About One Of The Century’s Best Songs”
When you love movies the way I love movies, there are just things that you know are true. Films shown in 70 MM will always be the preferred method of viewing. The 1970’s was the best decade, so far, of film. And the greatest movie of all time is Citizen Kane.
Orson Welles’ 1941 cinematic masterpiece is always the film that everyone speaks of when we’re talking about the greatest stories put onto cellulite. Here’s how great the film is: Last year’s Mank, about the life of Citizen Kane screenwriter Herman J. Mankiewicz, got two Oscars. A film about the greatest film got recognized last week, and Mank won more (and was nominated for more) Oscars than Citizen Kane itself. And Mank, as we discussed on this site last week, is only David Fincher’s ninth best film.
Hollywood is weird.
However, yesterday something happened to change everything you know about movies. It’s the most important story of the year in film and, I can only assume, what will be one of the most memorable stories of all time. Honestly, if Joe Biden doesn’t mention this tonight in his speech to the joint session of Congress, then democracy, as we know it, is dead. Paradigms have shifted and everything we once learned was proven wrong. According to one source, Citizen Kane is no longer the greatest film of all time. The critics have spoken and Rotten Tomatoes has listened and there is a new champion.
But what is this new masterpiece? What film have critics raised to the top of the pile? What piece of art is so fabulous that all others, including the masterful Citizen Kane, bow in deference?
Yeah, get ready… it’s finally time for a piece about Paddington 2.Continue reading “When A Marmalade-Loving Bear Takes Down The King”
When you’re looking at the nominees for Best Director (as I did yesterday), you’ll see that four of the five nominees have something in common: with one notable exception, every director vying for the big prize is a relative newcomer. Promising Young Woman is Emerald Fennell’s directorial debut, and Lee Issac Chung (Minari), Thomas Vinterberg (Another Round) and Chloè Zhao (Nomadland) all have had careers, but each of them are finding the spotlight with their nominated film. I mean, to be fair, Vinterberg has had a very illustrious career in his home country of Denmark, but this is the first time American audiences are really finding out about him.
The one notable exception is David Fincher. And he is, in no uncertain terms, pretty fucking notable.
Since 1994, David Fincher has been one of Hollywood’s most consistent director. His films have two notable things in common: they are interesting, profitable, and always among the best films of the year. What’s even more amazing about that is that Fincher makes a very specific type of movie: his movies are usually for adults and capable of evoking strong emotions. Zhao will probably win the Oscar this week, and her next film is a Marvel movie. It is almost impossible to imagine David Fincher taking this kind of a career arc.
Unlike the other great directors of this era (Spielberg, The Coen Brothers, Steven Soderbergh) who seem capable of cranking out a movie every nine months or so, Fincher is known for laborious work schedules. Dude is gonna take his time and you will get his movie when he is goddamned good and ready. Stories from the set of his films often involve tens, or in some cases, over a hundred takes, as the director attempts to break actors down to get the most raw and real performances. When you take into account that the best performances from some pretty impressive actors (Brad Pitt, Ben Affleck, Jesse Eisenberg, Rooney Mara, Justin Timberlake, Amanda Seyfried, etc.) come from David Fincher films, it’s hard to argue with the process.
And yet, for all of his excellence, especially in the 21st century, Fincher has not gotten any real love from the Academy. Three nominations and no wins, and what they choose to nominate is fucking baffling. Mank, the film he is currently nominated for, is his most nominated film, and it’s nowhere close to being his best film.
So what is his best film? Let’s rank some Fincher, my little film darlings!Continue reading “FBC Oscar Coverage, Part XI: Ranking David Fincher”
Well, it’s been a long road. We’ve talked about screenplays. We’ve talked about leading performances and supporting performances. We talked about all of the categories that are on when you decide to take a bathroom break. But now, it’s time for the two big categories. Let’s get predictin’!!!Continue reading “FBC Oscar Coverage, Part X: Predicting The Winners (Part 5)”
We’re less than two weeks away from the Oscars. It’s movie’s biggest night! Are you pumped? GET PUMPED. FUCKING DO IT.
Next week, we’ll cover who will win for Best Director and Best Picture. But there are tons more categories for the Oscars! Let’s get my predictions on what hasn’t been covered yet!Continue reading “FBC Oscar Coverage, Part IX: Predicting The Winners (Part 4)”
It’s 11:35pm on a cool Thursday night in April, 2015. Hustle Bankroll, the opening act for the night has just completed his second set, having been asked to fill time. The headliner, nearly three hours late, is Earl Simmons, the now late DMX. The Vogue theater on the north side neighborhood of Broad Ripple is packed full of people. Near the sound booth is a contingent from a sorority, a pack of AKA women dressed in their unmistakable pink and green. By the bar, a group of twenty-something men in tieless dress shirts and jackets. On stage, a man in an oversized Pelle Pelle jacket starts to make an announcement and is stopped by a tall man in a long Ruff Ryders t-shirt. “What?!” He exclaims, pulling the mic away. He’s shocked. Both men rush off stage. Despite reassurance from promoters that he’s coming, DMX is nowhere to be seen. A man two rows from the stage says to his friend, “how much you wanna bet his ass got arrested?”Continue reading “From Then Til Now, Don’t Ask Me How”
Last week, I gave you my predictions for the supporting categories. Let’s take a look at the leads!Continue reading “FBC Oscar Coverage, Part VIII: Predicting The Winners (Part 3)”
Last week, we looked at the screenplays. Today, let’s get supporting!Continue reading “FBC OSCAR COVERAGE, PART VII: Predicting the Winners (Part 2)”
Ok, with the nominees announced, let’s pick some winners, friends!Continue reading “FBC Oscar Coverage, Part VI: Predicting The Winners (Part 1)”
It’s snowing in Colorado today. We’re supposed to get somewhere between 18 inches and 3 feet, depending upon what part of the front range your domicile resides. As such, why not give you some great Oscar moments in time.Continue reading “FBC Oscar Coverage, Part V: The Ten Best Oscars of all Time”