Taylor Swift has made it known that she does not like being called “calculated”, and I get it. To refer to a woman by that word implies a certain tone that one would not give to a man, who normally would be called something like “ambitious”. It’s a shame to me that she doesn’t like this term, because I consider the word a grand compliment and I believe it applies to the pop star. As we enter the tenth month of 2025, Swift has her twelfth album, The Life Of A Showgirl, out. And there is a lot that is needed to calculate.
Before December of 2020, Jordan Holmes (comedian, author, podcaster) had never, intentionally, listened to a Taylor Swift song. Then began The Swiftening, where Jordan decided to review every Swift album in order. Want to see the rest of his reviews? Just click on “The Swiftening” tab above the title of this and it will take you to Jordan’s reviews of Ms. Swift’s last eleven works.
This has been the least I have written about my favorite awards show in the history of this site and there are two big reasons for that. The first is that the major races have been the most fluid I have, possibly, ever seen since I’ve been watching the awards as a child. While some races seem to have solidified, there are few categories where I feel like you can lock in and say, “This is one you should bet a lot of money on.”
With raging wildfires forcing the delay of the nominations until Thursday, it’s given me time to reflect on who the nominees should be. As some of the guild precursors have resonated, my Buzz Meter from a week ago has undergone great tumult. Nickel Boys has lost a ton of steam, The Apprentice has gained some, and Sing Sing has had one of the crazier pre-Oscar runs in recent history.
But, it’s time to lock them in. My goal is always for around 75%, with anything over 80% a near guarantee to turn me into an unbearable douche. So, with those stakes on the table, let’s get predicting!!!
Nominations for Hollywood’s biggest night will be revealed this Sunday which means we need to make some predictions. And we cannot do that without seeing which films seem to be peaking at the right time. So, to do that, I made the Buzzmeter!!!
The Buzzmeter looks at which films are getting the most predictions in the major categories (Best Picture, Director, Acting and Screenwriting) and puts them into three piles: Definite locks, Lots of good buzz, and Wild Cards. I gave 5 points to every lock, three to a film with good buzz and a point to the Wild Cards. Also, if you haven’t seen the movie, I will give what I can only assume was the basic one sentence elevator pitch for the movie.
Yet another beloved old cartoon and comic strip character IP (intellectual property) has come into the public domain. This time, it’s everyone’s favorite sailor man- Popeye.
Now, to be clear, while there are 2 evil Popeye movies (so far) coming this year, neither is attached to the Twisted Childhood Universe, affectionately referred to as the “Poohniverse”, which kicked off with Winnie the Pooh: Blood and Honey in 2023, followed by the sequel in 2024.
When the pandemic started in 2020, part of my escapism from the dread of the moment was going back and rewatching the entirety of the old Muppet Show. And it felt good, letting the nostalgia wash over me, but also it made me sad. As I continued watching more Muppet content, the movies, then the later TV shows, I felt like something got lost along the way, and it was the earnestness with which the Muppets and even the humans around them behaved. Even in moments of commentary or weirdo subversion, there was a genuineness that I felt fell away a bit. Recent years felt like there was more snark, more bite, more irony, even in how we as viewers engage with the Muppets. I was pleasantly surprised by the Electric Mayhem focused show with Lilly Singh and Tahj Mowry from a few years back, that felt like a love letter to music through the heartfelt lens of the Muppets. And it gave me hope that perhaps more Muppets could be coming. Then news came that a certain Warner Bros owned streaming service might be looking to off-load Sesame Street, and I didn’t just have hope, I had an idea, a movie pitch for how to reunite the Muppets and the folks of Sesame Street for the first time since the early 2000s.
I guess in order for this to happen Disney would have to buy the rights to Sesame Street to have them under the same umbrella as the Muppets. I’m not here to discuss the pros and cons of monopolistic IP hoarding and such. I’m here to talk about Muppets. So…
Well, if we can say anything about the state of music in 2024, we can certainly say that it was decidedly less horny than last year.
Look, there were definitely still some efforts to keep the mojo running in music. Sabrina Carpenter, Tinashe and Addison Rae all did their best to get us going like so many did in 2023. But there was not enough to overcome some of the bigger feelings we got this year: Rage. Contempt. Loneliness. Hopelessness.
Because of this, joyous songs (and there were a good number of them) felt like overwelcome lifeboats getting us to the next day. And even with this year’s crop of the best songs taking us to darker, more introspective places, there was still so much amazing music to share. Let’s take a look at the 50 best songs from a very good year of music.
Yes, there’s a playlist at the bottom of the article. Let’s boogie!
Look, if you’re trapped in the capitalist hellscape that is the US, you’re a conscript in the war against Christmas, whichever side you fall on. I mean, Christmas won, it’s fucking everywhere. It’s inescapable. Our borders are contained within Santa’s vast panopticon whether we like it or not. Because this is THE capitalist holiday. This is the grand devotional, our wallets made sacrifice to prove our love to each other.
Even if you just celebrate “the holidays”, the holiday party you’re at is gonna play Christmas music. Because, well, there’s just a fucking lot of it. And more every year. And worst- a lot of it fucking sucks.
But not all of it. So if you find yourself in control of the tunes and you want to make the most of the theme, I offer you this fine tuned playlist to keep things interesting
“Have you heard of Martini Ranch?” It’s a question that I ask of anyone who gets to know me on a long enough timeline. More often than not, I’m not even met with a faint glimmer of recognition. Which always blows my mind until I remember that I also had to be introduced to Martini Ranch long after it had ceased to exist.
I remember exactly how it happened, I was working as a truck driver in 2017, and I had a lot of time to listen to podcasts on the road. A personal favorite was the Witch Finger Horror Podcast. I’d started listening to it as a fan of the band Kittie (who still rips by the way and just dropped a phenomenal album back in June), because the vocalist Morgan Lander was one of three hosts along with Megan Rae, and Yasmina Ketita of Rue Morgue Magazine. As I was listening to episode 19, titled “Near Dark and our tribute to Bill Paxton” (he had died earlier that year) I heard the name Martini Ranch for the first time.
Fancy Boys Club 