The day that Fancy Boys Club went live, Taylor Swift released Lover. Since then, I have reviewed every album she has released since then. Unlike Jordan Holmes. whose series known as “The Swiftening” was an aggressive evisceration of her entire catalog, I have been able to find positive highlights in all of the music from pop’s reigning queen. However, today, when thinking about the song “Cruel Summer”, finally released as a single, I slowly realized something: I had forgotten to review Midnights, Swift’s tenth studio album which came out nine months ago.
Whoopsidoodles.
Continue reading “Hours past “Midnights”: a (very late) review of Taylor Swift’s newest album”