The Swiftening, Part 11: The Tortured Poets Department- The Uncomfortable Writers Depot

The Swiftening, Part 11: The Tortured Poets Department- The Uncomfortable Writers Depot

Before December of 2020, Jordan Holmes (comedian, author, podcaster) had never, intentionally, listened to a Taylor Swift song. Then began The Swiftening, where Jordan decided to review every Swift album in order. So far, he has covered Swift’s 2006 debut, 2008’s Fearless, 2010’s Speak Now, and 2012‘s Red, 2014’s 1989, 2017’s reputation, 2019’s Lover, and 2020’s folklore and evermore, which we encourage you to check out if you haven’t already.


Back again, as we all knew I would be, the allure of hating cannot be denied. I rarely finish what I begin, and I doubt I will follow her career, alleging talentless desperation after every release, but today, today is… today and I hate. 

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A Woman In-Between Eras: Examining The Tortured Poets Department

A Woman In-Between Eras: Examining The Tortured Poets Department

To open The Tortured Poets Department, her twelfth album (and fourth in five years), Taylor Swift gives us “Fortnight”. Swift and longtime producer Jack Antonoff give us a song that sonically feels in place with the catalog of Lana Del Rey (unsurprising, considering Antonoff also produces some of her music) as the thirty-four year old singer gives us the story of a woman dealing with a relationship gone way too wrong and delving into alcohol and thoughts of violence to her man’s new wife. “I loved you, it’s ruining my life,” Swift sings in a track that feels like something her and Antonoff could do in their sleep. It’s a good track, and Swiftboats (my term for Swift fans, many of whom have long since forgotten about John Kerry) will love it because it’s the kind of song they’ve heard and loved and sung along to before. It’s a very solid Taylor Swift song.

And that’s why it’s a little underwhelming.

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