For the most part, the 94th Academy Awards ceremony, things went the way the Oscars normally go, To my pleasant surprise, the three-pronged attack of hosts Amy Schumer, Regina Hall and Wanda Sykes worked really well, with the telecast allowing them to shine as a group but also as individuals. CODA won the three awards it was nominated for, which is a big deal when you understand that those three awards were Best Supporting Actor, Best Original Screenplay and Best Picture. There were moving speeches and celebrations of films that made a lot of sense (the 50th anniversary of The Godfather) and significantly less sense (the 28th anniversary of Pulp Fiction). There was a star-studded version of Encanto‘s “We Don’t Talk About Bruno” that was, at best, confusing. There were laughs and tears and too much cheese and shrimp consumed by one particular person watching from home. It was a typical Oscars night, and considering I think of the ceremony the way people think of the Super Bowl, that was a good thing.
And then there was the televised assault.
Continue reading “FBC 2022 OSCAR COVERAGE, PART XII: Will Smith Don’t Gotta Cuss In His Raps To Sell Rec… HOLY SHIT! HE DID WHAT?!?!?”
Well, we’ve done it. I’ve given you predictions for screenplay, acting, and literally every other category. It’s time for the two biggies. Let’s not waste any more of the internet and just dive in.
Continue reading “FBC 2022 OSCAR COVERAGE, PART XII: The Final Predictions (Part 5)”
One of the things I have heard from nerds is that superhero movies get widely overlooked when it comes time to awards season. And my response to them is usually, “Shut up.”
Continue reading “FBC 2022 Oscar Coverage, Part XI: The Comic Book Oscars! (2000-2021)”
So, I’ve been predicting the nomination, and I’ve been feeling strangely good about my picks, which is almost a guarantee that I’m going to crash and burn Sunday night. But, while I have given my predictions for what I thought would win and be nominated, I haven’t said what my personal nominees would have been had the Oscars been left up to me, which seems like a pretty great idea, now that I think about it.
So, here is what I would have nominated. Leaving out a few categories out (International Feature, all shorts, Best Documentary) because I don’t feel like I’ve seen enough to make a well-educated group of nominees.
But, here we go. The nominees are…
Continue reading “FBC 2022 Oscar Coverage, Part X: What My Oscar Nominations Would Have Been”
Last year’s Oscars ceremony was such a spectacular blunder, if you tried to make a movie out of it, no studio would release it because of how unbelievable it was. And there was no better example of that than the trainwreck that was how the ceremony ended.
Continue reading “FBC 2022 OSCAR COVERAGE, PART IX: The Three Big Reasons To Not Watch This Year”
We’ve knocked down the acting and writing categories. We’ll do Best Director and Best Picture later this week. But let’s do ALL OF THE OTHER CATEGORIES right now! Let’s party!
Continue reading “FBC OSCAR COVERAGE 2022, PART VIII: Predicting The Winners (Part 4)”
Paul Thomas Anderson hasn’t made a bad movie, and I don’t think he could if he tried. Well, I mean maybe if he tried. He could keep the camera out of focus or give all the actors shrooms or make a shot-for-shot remake of Batman V Superman: Dawn Of Justice. And Licorice Pizza, Anderson’s ninth film (and the third nominated for Best Picture) is not, by any stretch of the imagination, a bad movie. It’s anchored in two amazing lead performances (neither of whom have acted before) and has very funny and touching moments and definitely has a light and easy feel with which Anderson drives the film effortlessly.
But Licorice Pizza does have one big problem. Perhaps, more accurately, the movie has two problems rolled into one. The first has to do with the core of the relationship between the film’s two main characters. And the second is the film’s (and filmmaker’s) complete lack of interest in even wanting to address the first problem. If this sounds layered and confusing, it shouldn’t surprise you.
After all, it’s a Paul Thomas Anderson movie.
Continue reading “FBC OSCAR COVERAGE, PART VII: Grappling With Licorice Pizza’s Age Gap”
Ok, in my last Oscars column, I predicted the screenplay categories. On to supporting performances!
One of my favorite things about the supporting categories this year is that both Jesse Plemons and Kirsten Dunst are nominated for The Power Of The Dog, in which they are a married couple both in the movie AND in real life. Something about that just warms my heart, y’all.
Ok. Let’s get predicting!
Continue reading “FBC 2022 Oscar Coverage, Part V: Predicting The Winners (Part 2)”