When the smoke had cleared and the dust had settled on the 92nd Academy Awards Sunday night, it was Bong Joon-Ho’s Parasite dominating the field. Yes, it won Best International Feature. That was expected. What was less expected however, were the other three awards it claimed: Best Original Screenplay, Best Director, and Best Picture.
As Bong went up to accept his screenwriting Oscar, I turned to my wife and said, “This could be a huge night for Parasite.” I didn’t realize that I was making one of the more dramatic understatements in the history of me watching the Oscars, which goes back to when I was a child.
Even though Parasite‘s four wins destroyed my chances of winning the Oscar pool I was in AND possibly ruined my credibility as a prognosticator (I went 18-for-24), I cannot help but be ecstatic for Bong. Because not only was Parasite the first foreign-language film to win Best Picture, but for the first time this century (and maybe longer), the winner of Best Picture wasn’t just the best movie nominated, it was the best film that came out all year.
And we haven’t even gotten to Eminem yet.
Continue reading “FBC OSCAR COVERAGE, PART X: The Night That Was Parasite”
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