The Music of Star Wars, Episode IV: The Phantom Menace (1999)

The Music of Star Wars, Episode IV: The Phantom Menace (1999)

The build up to the release of The Phantom Menace was one of the most exciting times in my childhood. I loved the movie, especially the podracing scene. Yeah, that was cool. Well, I’m not twelve anymore. I’m old, cynical, and finally understand what the hell is going on in this movie. The problem is, its boring as shit. BUT THAT’S NOT WHY I’M HERE TODAY. Folks, this movie ends with a blitz that almost makes you forget you just watched 100+ minutes of deadpan dialogue delivery, and John Williams is the main reason why.

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The Music of Star Wars, Episode III: The Return of the Jedi (1983)

The Music of Star Wars, Episode III: The Return of the Jedi (1983)

The great thing about the original trilogy of Star Wars is how it builds the universe within the plot of the three movies in a way that seems natural. In Empire we saw new creatures, strange planets, and a city floating in the clouds. In Return, we focus mostly on one forest moon and a space battle above it. For all of the lush, atmospheric scoring of the second chapter, John Williams gives the third room to breathe. At times, the music is more demanding and pronounced than ever. In others, its absent where earlier in the series music would have been a driving force. So lets get to The Return of the Jedi, and the end of the Empire.

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The Music of Star Wars, Episode II: The Empire Strikes Back (1980)

The Music of Star Wars, Episode II: The Empire Strikes Back (1980)

So the good guys won and it was pretty great. However, we all saw Darth Vader get knocked into space instead of dying on the Death Star with Grand Moff Tarkin and friends. So the Rebellion, still a relatively ragtag operation in comparison to the Empire, has really pissed off Vader and his boss. The Empire Strikes Back will take us to new and beautiful places, and with it comes more timeless music from John Williams and the London Symphony Orchestra. Put the angry tweets down, I’m not going to cover this entire score. There is so much to this film that I’m just going to try to nail down important cues and motifs.

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The Music of Star Wars, Episode I: Star Wars (1977)

The Music of Star Wars, Episode I: Star Wars (1977)

With Star Wars episode IX: The Rise of Skywalker in theaters this December, I thought it was appropriate to take a look back at the iconic saga. This is not a look back at the films themselves as much as highlighting the nine scores composed by John Williams, the most important character in the galaxy. I will be working in film release order, not narrative order, as there are aspects of the prequel scores that are obviously influenced by the original trilogy.

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