I am 33 years old. I first remember watching the Olympics when I was 5, though I had no idea what was happening. There was a magic to the Games, though. A sense that, even for a few weeks, the world can appreciate the best of what we are. I don’t know if it’s growing older or the feeling that the world keeps getting darker, but 2020 needed the Olympics. This morning, Japan Prime Minister Shinzo Abe and International Olympic Committee President Thomas Bach agreed in principle to postpone the Games until the summer of ’21 in effort to forego the danger of exacerbating the COVID pandemic. It is the right decision, but I’ll tell you, True Believers, it hurts.Continue reading “As Sure As There Is Winter: The 2021 Olympic Summer Games”
Author’s note: When I took this project on, I did not take into account the fact that I would have little means to write about the score for The Rise of Skywalker without (a) writing out a lot of spoilers and (b) having any accuracy for cues without seeing the movie at least three times. So it’s January, and Star Wars hype has cooled, so lets dust off this saga and continue.
So… some stuff happened in that second movie, I guess. I was a chore to get through, but there was that lovely theme as well as some allusions to themes established in the original trilogy. So in Revenge of the Sith, we the viewers finally get to the destination we knew we would arrive at someday. This is the “good one” of the prequel trilogy, but let us not lose sight of how much we rationalize when that label is applied. This movie, much like The Phantom Menace has a scene at the end that almost fools you into believing you didn’t waste your time. In that scene, John Williams is at his best.Continue reading “The Music of Star Wars, Episode VI: Revenge of the Sith (2005)”
After a hiatus, TMOSW is back with *sigh* the most exhausting film in the rewatch. At some point, Anakin aged 10 years and Padme aged 3, so now they’re close enough in age to be lovers. John Williams executes a fantastic theme for their union. If you have started your own rewatch in anticipation of Episode IX, you’re likely already past this one, and that’s for the best. In the last few years, there has been a renaissance of appreciation for these prequels, even Episode II. I can assure you, it is soaked in irony. This movie is bad, but find solace in knowing that it contains yet another fabulous work by Williams.Continue reading “The Music of Star Wars, Episode V: Attack of the Clones (2002)”
So the good guys won and it was pretty great. However, we all saw Darth Vader get knocked into space instead of dying on the Death Star with Grand Moff Tarkin and friends. So the Rebellion, still a relatively ragtag operation in comparison to the Empire, has really pissed off Vader and his boss. The Empire Strikes Back will take us to new and beautiful places, and with it comes more timeless music from John Williams and the London Symphony Orchestra. Put the angry tweets down, I’m not going to cover this entire score. There is so much to this film that I’m just going to try to nail down important cues and motifs.Continue reading “The Music of Star Wars, Episode II: The Empire Strikes Back (1980)”
With Star Wars episode IX: The Rise of Skywalker in theaters this December, I thought it was appropriate to take a look back at the iconic saga. This is not a look back at the films themselves as much as highlighting the nine scores composed by John Williams, the most important character in the galaxy. I will be working in film release order, not narrative order, as there are aspects of the prequel scores that are obviously influenced by the original trilogy.Continue reading “The Music of Star Wars, Episode I: Star Wars (1977)”